I waited until I had a few minutes of spare time to read the rest of the email.
First of all, I want to write about how the course is structured, and then move to a discussion of whether it works, creative writing a master class download google for whom. There are four parts to the course: There are also a few more personal themed-videos: The videos vary in length between 3 and 14 minutes, depending on the complexity of the theme, and all of them feature James Patterson talking directly to the camera, in a chatty, conversational style, truffled with anecdotes, examples, tips and pithy sayings a favourite of mine: Passion and habit are key to a successful writing career.
Secondly, there is a 72 page downloadable and printable workbook which is designed to complement and expand the videos, recapping on each theme, and providing practical exercises for students to complete on their own. The workbooks come in two versions: So all in all, a very comprehensive structure.
As you might also expect, given the fact this is a very new course, there are lots more comments on the earlier videos than on the later ones.
His observations on marketing, book titles and covers have the added advantage that before he became a full-time writer, he worked in an ad agency—but even so, many writers have done that and not risen to such bestseller heights.
Seems to me that at least the reason for his first big hit is as much a mystery to him as to anyone else. Anyway, no-one, however skilled, can actually teach you to write books guaranteed to be publishable, let alone big sellers.
But the right presenter can show you the building blocks of good writing. They can show you the ways in which your spark of inspiration can grow into something real.
They can teach you to be both more realistic and paradoxically, more ambitious. And they can give you new ways of looking at things, inspiring you by their passion for the craft, and the practical and imaginative tips that can help you build on the strengths you already have and build your confidence as a new writer.
And the contact with the real live experience of writers only previously met through giant gold embossed titles on their books can also be a major boost.
When those writers are as practical and down to earth as James Patterson, that is an added bonus. The aim, I think, is quite simply the same as with any creative writing course: And for aspiring and emerging authors, I think it works well.
The advice and tips presented in the videos work in real life though I never do as detailed and comprehensive an outline as Patterson does, and never will, I know it works for many people.
The craft discussions are interesting, as are the personal experience stories. And I must say that the discussion threads on this theme bear out my point.
Plus both co-authors appear to have had a good time! The workbook material is well-thought out, with a suggested viewing schedule, lots of ideas for extra writing tips and tricks, recaps in bullet point form of themes in each video, space for notes, and lots of mini-assignments which are varied and fun to do.
When we move from the aspiring author to the published author, the value of this course really depends on how experienced that person is. And of course you can always learn more. As I mentioned before, Patterson makes many interesting observations on craft: How does the online experience compare with face to face?
But to be realistic, very few people are ever going to have a face-to-face workshop series with high-profile authors like James Patterson; and if they did, would have to pay a great deal for the privilege.
This is a way of democratising and globalising the process, so that aspiring writers from all over the world can have the opportunity to have the next best thing: In a few months, I went from just being able to say hello and goodbye to being able to hold all kinds of basic conversations, read street and other signs, and write small anecdotes and stories—becoming proficient to the extent that I was the spokesperson for our family group in Moscow!
Of course the success of language learning can be measured, as it were; the fact I could get by well in non-English speaking Moscow being that measurable result. In arts learning, particularly in writing, results are more difficult to measure, at least immediately.
The effect builds up over time, as aspiring writers grow in confidence and knowledge and become more experienced. And technically, as I mentioned earlier, the experience is first-class: I have no idea though how selections are made.
So all in all, would I recommend this course to aspiring authors? The short answer is yes.
I first posted this on my personal writing blog, Feathers of the Firebirdbut after consulting with our wonderful WU directors, decided it was of enough interest to readers here to reblog.
Wish you could buy this author a cup of joe? Now, thanks to tinyCoffee and PayPal, you can! About Sophie Masson Sophie Masson has published more than fifty novels internationally sincemainly for children and young adults.Gmail is email that's intuitive, efficient, and useful. 15 GB of storage, less spam, and mobile access.
Come prepared to write! The workshop will cover all elements of writing book-length creative nonfiction, including: research, shaping a narrative, structure, form, and voice.
Teaches Creative Writing. Tom Morello Teaches Electric Guitar. Annie Leibovitz Teaches Photography. I loved this class. I learned to create rather than follow recipes and how to think outside of the box!
I've always loved cooking, this class has taken me to a new level! Google Play; Stay up to date with us. 47 rows · Download or subscribe to the free course by Academy of Achievement, . Nov 28, · Creative writing lessons: Creative Writing tips, advice and lessons from bestseller Stephen King - Duration: The Write Channel with .
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