Contextual analysis of my dungeon shook

After making this comparison, Baldwin tells James that his grandfather was ultimately undone—destroyed—by believing that he actually was what white society said he was: It is for this reason that the man became religious.

Contextual analysis of my dungeon shook

After making this comparison, Baldwin tells James that his grandfather was ultimately undone—destroyed—by believing that he actually was what white society said he was: It is for this reason that the man became religious. But James is not religious, Baldwin points out; rather, he represents a new era and a new way of thinking, and the author encourages his nephew not to make the same mistake as his grandfather by believing what white people say about him.

He tells young James that the country into which they were both born is rigged against them, such that they are—from the moment of birth—set up to languish under white oppression. This innocence—or, perhaps more accurately, this deluded belief that they are innocent—renders them unable to truly acknowledge the existence of African-Americans.

And even when this existence is recognized, it is only to communicate the message that black people are worthless. Baldwin recognizes that this is, of course, a difficult thing to tell his nephew so bluntly, but he maintains that James can derive power and mobility from knowing the circumstances from which he has sprung.

This involves understanding that the ugly beliefs thrust upon him are not based on any true reflection of inferiority, but rather on the sad insecurity of these white countrymen.

Advising James not to waste his energies in getting white people to accept him—for this is not important—Baldwin tells his nephew that, in fact, he is the one who must find a way to accept them.

Only then, Baldwin makes clear, will these countrymen be able to understand themselves and, thus, their fellow black citizens. During that summer, he watched many of his peers gravitate toward crime, sensing for the first time that the criminals he frequently saw on the streets—the pimps, prostitutes, and drug users—were models of what he could easily become.

It occurred to him that these people, whom he had always looked upon as different than him, had all come from the same circumstances as he did. In order to avoid the evil of the streets—as well as the evil he suddenly believed he himself was capable of—he became involved in church life.

In addition to witnessing his peers flock to the dangers of the street, Baldwin began to see that the boys around him would never surpass their fathers in terms of their accomplishments or social stations.

His own father started pushing for him to quit school and start working, but Baldwin refused, a gesture that was more an act of defiance than a belief in education. Once, after Baldwin introduced his father to one of his friends, his father asked if the boy was saved, and when Baldwin revealed that his friend was Jewish, his father slapped him hard across the face.

In response, Baldwin told his father that his friend was ultimately a better Christian than he was. From a retrospective vantage point, Baldwin sees this interaction as a moment in which he and his father acknowledged the struggle they were in against one another—his father as the authority figure, Baldwin as the retaliator.

As a fourteen-year-old, Baldwin was coming to consciousness regarding the racial disparities thrust upon him, in addition to identifying the multiple forms of authority acting upon him including that of his father.

As an adult, he recognizes that by joining the church, he essentially traded one authority figure for another. To be sure, when his friend first brought him to church, the pastor looked at him and asked the same question that the pimps and other criminals on the street used to ask him: Nonetheless, Baldwin gradually became skeptical of religion, developing a mistrust that he explains by outlining the history of the Christian church.

An institution built on spreading the gospel, the dissemination of Christianity depended heavily on the subjugation of others. Baldwin suggests that anybody hoping to lead a moral life will thus have to reexamine the core tenets of Christianity, since Christianity has been so fundamental to imperialism.

This look at the Christian church leads to an investigation of an opposing ideology: Baldwin explains the beliefs of the Nation of Islam and its leader Elijah Muhammad, who once hosted Baldwin at his mansion in Chicago.

According to members of the NOI, black people once ruled the earth entirely. In his meeting with Elijah and a slew of other NOI followers, Baldwin was unconvinced by the idea that he ought to invest himself in a prophecy that favors African-Americans over white Americans.

Despite his disagreement, though, Baldwin spends time making clear the fact that he understands—even, perhaps, sympathizes with—how somebody might arrive at this kind of thinking after generations of being oppressed by white people.

Contextual analysis of my dungeon shook

Instead of reacting to white oppression by advancing similar—yet opposite—segregationist solutions, Baldwin urges Americans to examine history and to attempt to accept it, no matter how difficult it is to come to terms with such a tense and troubled past.

During the drive, Baldwin asked the young man how the NOI was going to go about taking over the American land they felt was due to them.

In this case, it is best to understand the fact that one cannot simply propose a brand new racial reality, but rather one must create change organically out of present realities—difficult though it may seem. At this point, Baldwin trains his thoughts on the idea of segregation, a hot topic in the early s.

He argues that the Supreme Court decision to outlaw racial segregation in public schools was less an act of progress as white liberals were so eager to deem it than it was a competitive and defensive move in the Cold War.

This further reinforces the unfortunate American reality that concessions of freedom or equality seem to be have been made only insofar as they benefit the white power structure.

But it has not dared to accept this opportunity, or even to conceive of it as an opportunity. The solution to this, Baldwin asserts despite a risk of sentimentality, is love. At the very least, white America must learn to love itself, which ultimately means learning to accept its diverse composition.

And Baldwin urges African-Americans to keep on doing what they have done for generations: As far as creating a healthy nation, white people need black people and black people need white people.

This, he argues, is the only path to a collective resilience. In his final words, Baldwin issues a concerned warning that—borrowing metaphorically from a slave spiritual that references the Bible—if Americans fail to come together, destruction and fire will come.The Fire Next Time Summary and Analysis of My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation.

In addition, it gives his reader greater context for understanding the present situation, by referencing a fictional past familiar to most readers. analysis of what the text says explicitly as well as inferences drawn from the text, including determining in context and analyze their role My Dungeon Shook James Baldwin background In , as the nation’s perspective on the race problem grew more pessimistic.

analysis of what the text says explicitly as well as inferences drawn from the text, including determining in context and analyze their role My Dungeon Shook James Baldwin background In , as the nation’s perspective on the .

Contextual analysis of my dungeon shook

My Dungeon Shook The Fire Next Time opens with a short letter to Baldwin ’s fourteen-year-old nephew, James, commemorating the hundredth anniversary of the signing of the Emancipation Proclamation.

Now, my dear namesake, these innocent and well meaning people, your countrymen, have caused you to be born under conditions not far removed from those described for us by Charles Dickens in the London of more than a hundred years ago.

I hear the chorus of the innocents screaming, "No, this is not true. Spelling Bee Test your spelling acumen.

See the definition, listen to the word, then try to spell it correctly. Beat your last streak, or best your overall time.

My Dungeon Shook Essay Help - - Kickass BD